What Moves the Dead


T. Kingfisher has done it. She’s written a book that covers multiple genres I don’t prefer: gothic horror, fantasy, retellings of classics, and shades of sci-fi and in one short, clever novella made me thoroughly enjoy all of them. I think only Catriona Ward has obliterated my genre boundaries as efficiently.

In this retelling of Edgar Allan Poe’s short story “The Fall of the House of Usher”, our central protagonist, Alex Easton, is a non-binary lieutenant in the fictional Gallacian army who’s come to small, rural Ruravia to help their dying childhood friend, Madeline Usher, at her brother Roderick’s behest.

(Since the MC is non-binary, I will use they/them pronouns when referring to them.) 

Alarmed by the decayed and untimely aged appearance of the Usher siblings, Easton can make little sense of their rapidly declining conditions.  Equally bizarre: What explains the unsettling behavior of those staring white hares that seem to have proliferated in the area, and what is going on with the cold, dark tarn (lake) and the abundance of fungi?

With the help of Roderick’s friend and fellow houseguest, American doctor, James Denton, and Easton’s new acquaintance, quirky British mycologist, Eugenia Potter, will they be able to protect the Ushers or themselves from the menace of death that seems to be closing in?

Kingfisher brings the Usher house and surrounding grounds alive in the most deliciously creepy, ominous way, making everything, animate or inanimate equally suspect. The threat feels all-encompassing, and you can sympathize with Roderick’s paranoia and jumpiness. Easton is a strong, intelligent MC, and it was fun to watch them puzzle through the mystery with Denton and Ms. Potter, who I have to say was my favorite character, alongside Easton’s opinionated horse, Hob.

It’s not necessary to have read Poe’s original work to enjoy this. In fact, in some ways it might be better to let this version speak for itself. I read the original after this, and it was fun to see in hindsight how Kingfisher tweaked and added her own imagination to the bones of Poe’s story. It’s my first book of hers, but it won’t be my last. She’s a wonderful, imaginative, funny writer!

A few notes:

Fictional Gallacia has a whole set of pronouns “ta/tan”, “ka/kan”, “va/van”, etc. that are explained and widely used, so that takes a little getting used to.

Easton has a pretty low opinion of Americans, so there are not infrequent humorous jabs taken at Denton.  You’ll either find it funny or you’ll be put off by it. I chose to see the humor.

There are a couple gruesome scenes involving hares.  It’s not gratuitous or malicious, and it makes sense within the story, but it may be upsetting for some readers.

The author’s note is VERY important! Don’t skip it, but wait until you’ve read this book first.  The book will inevitably get compared to another well-known book with similar themes, which I won’t name for spoiler reasons, but Kingfisher addresses that. 

★★★★ 

Thanks to Macmillan-Tor/Forge, Tor Nightfire, NetGalley and author T. Kingfisher for this digital ARC to honestly review. It will be published on July 12, 2022.


 

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